Celebrate the music of Hawai’i, and the undying spirit of Puna

IN YOUR EARHOLE

IN YOUR EARHOLE

Lapwing Takes Flight

IN YOUR EARHOLE / The diligent and modest Matthew McVickar studied Japanese language and literature at UMass, with a brief sojourn in Japan. Although the next logical juncture would not typically point towards moving to Hawaii to make music and build websites, that’s the trajectory McVickar seems to be following; and no one’s complaining either.

Well, maybe a few people, but their only qualms have manifested into impatience regarding whether or not McVickar will release new material from his solo electronic music project, Lapwing. His (absolutely free) first five-track EP Live Start was released two weeks ago, mirroring the same free-download format Clones of the Queen–a three-piece electronic pop band McVickar is also part of–utilizes. “I’ll always strive to make Clones’ EPs free; it’ll come down to [lead-singer] Ara and [guitarist] Paul’s decision, too. My music will be free now and forever–the physical artifacts may not be free, but you’ll be able to get it for free digitally with high quality,” vows McVickar.

Lapwing’s five-song ambient attack falls somewhere between the electronic spectrum of Four Tet and Baths. McVickar cites the combination of beat-centered explorations and dance music, in general, as some of his influences.

Laden with looping, delay and unidentifiable textures, the first song, “Leaving,” sets the tone with bells and shakers. The midsection of “Nerves” and “Downhill” is saturated with reverb-heavy skittering beats and swift arpeggios that will make you want to un-focus your vision until it’s a twinkling light matching the songs’ ethereal quality. The upbeat closing song, “Tiny Island,” samples the song “Ghost on the Beach” by local artist Andy Iida from Color Pixel and “Don’t Worry Baby” by the Beach Boys.

McVickar says, “I’d love to release a full-length. I thought [the EP] was going to be a lot harder than it was, because I’ve talked about it and thought about it for years, and then I sat down and did it in about two weeks.”

Niko Rivas

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