Over–and under–the rainbow
THE 21ST ANNUAL HONOLULU RAINBOW FILM FESTIVAL / The 21st Annual Honolulu Rainbow Film Festival sails into port for a four-day run May 27-30, with an especially eclectic collection of features, shorts and documentaries from 12 countries, an opening reception, and a four-hour closing night gala. Home port for all events except the gala is the Academy of Arts’ Doris Duke Theatre. The gala will feature guest directors and performers from some of the films shown earlier in the week, in a music-oriented fundraiser at Ward Center.
This year’s features, with some notable exceptions, are comedy-oriented, ranging from romantic comedies to coming-of-age comedy-dramas. Most are indies, some in search of distribution, and a few gay-circuit-only products with themes not yet embraced by mainstream movies.
Storytellers from the Bahamas, Sweden, France/Germany/Israel, and Canada add their particular cultural inflections to the traditional gay themes of resistance to censorship and outright oppression.
Documentaries are especially strong this year, with Brazil, Denmark/Finland, and Peru offering subjects as diverse as Latin American transgender issues, political theater and Eastern Europe’s gay-porn industry. The U.S. weighs in with several docs, from studies on Mormon money employed in anti-gay movements to a Berlin film fest winner about a gay bar in Jerusalem frequented by Israeli and Palestinian habitués.
Short films run the gamut from the experimental to storyline, divided evenly between comedy and love stories, allegories and music-oriented vignettes. Shorts are paired with features for all matinee and evening showings. Hawaii filmmaker Brent Anbe is represented with what is being billed as “the first Kim Chee comedy.” Perhaps the most inspired short is a five-minute profile of former Star Trek actor George Takei and his companion of 21 years, recently married, interviewed in bed.







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