Visual Arts

The Drop Shadows
Image: Courtesy of the Drop Shadows

Shadow dancing

The Drop Shadows elevate the local design aesthetic, one project at a time

The Drop Shadows / In the graphic design world, one of the most loathed elements is the drop shadow, often employed by novices enthralled with the fairly simple effect. The Drop Shadows, a collective of young, forward-thinking artists based in Honolulu, take the concept and flip it. “We make it pop,” jokes founding member Joseph Paahana, who designed the cover of this year’s Fall Arts issue on behalf of the collective.

Speaking of pop–about three years ago, Paahana, along with Maurice Radke and Eric Rulona, worked together at a graphic design firm and chose The Drop Shadows as a name for a prospective boy band they planned to form. The idea was to sing about graphic design. But after deciding to leave the firm in pursuit of projects that spoke more to the interests and aspirations of the young designers, The Drop Shadows name stuck.

The Drop Shadows

Joseph Paahana, Aaron Yoshino, Eric Rulona, and Maurice Radke

Pushing the envelope in design for album covers, streetwear and skatewear, the collective has since welcomed the membership of Aaron Yoshino and Landon Iwamura, strengthening the group’s design capabilities with specialties in photography and other niches. Yoshino describes the collective as one that “designs patterns and textures that translate into street.”

The collective isn’t an exclusive club and The Drop Shadows are seeking a couple of artists to join them. When they meet, sometimes it’s not about a project, but just to discuss color trending, emerging design themes and other relevant issues in their world. Paahana shares that The Drop Shadows strives to “compete on an international level while staying true to the look and feel of Hawaii as a place.” Looking at local tattoo design, Paahana said he thinks a transpacific theme has achieved a true Hawaii aesthetic and looks forward to something similar emerging in Hawaii design soon. He cites the example of Hawaii designers “mimicking textures of a metropolis that don’t really exist here…but finding design elements true to Hawaii is a learning process. You mimick what you aspire to be.”

Having put together projection sequences, fliers and other visual work for clubs and budding clothing lines, Paahana says he would like to see the collective take on more full-spectrum marketing campaigns and original product design. The Maui-born, self-taught graphic designer shares that some of the collective’s more challenging projects are ones that have urgency, but must work within the constraints of a low budget. Still, it’s the kind of challenge the collective is always up for.

“Sometimes, implementing low-cost, creative ways in making something memorable can be the most fun,” Paahana says.

Doing more projects where all five members are involved, as opposed to one or just a couple, is another goal for The Drop Shadows. And they promise, you’ll never see a dark shape hugging the edge of the letters or objects in their design.

Celebrating Hawaii, nature, culture and wellness for over 35 years!
SURFER, The Bar

COMMENTS

We often print online comments in our “Letters to the Editor” section of Honolulu Weekly. While submitted letters are often edited for length and clarity, online comments we use are printed entirely as they are written for the website. If you do not wish for your comment to be used in Honolulu Weekly print issues, please write “Don’t Print” at the end of your comment. For questions, e-mail editorial@honoluluweekly.com. Thank you!

blog comments powered by Disqus

This week

Fortress Oahu

With roots planted in the 1893 overthrow of Queen Liliuokalani and a presence that extends through the entire archipelago, the military’s influence in Hawaii is surpassed only by tourism. The military controls some 236,000 acres throughout the state, including 25 percent of the land mass of Oahu, and thousands of square miles of surrounding airspace and sea.

Breaking The Waves

“I’m having a hard time not swearing right now,” Spike Kane says in his UK accent, all smiles after his first surf session at the second annual Hawaii “They Will Surf Again” event hosted by the Life Rolls On Foundation (LRO). “It just feels so good to be in the water again.” Kane beams.

Greedy, Scheming Saga

Into Willie Sabel’s vast and detailed set enter a cast of rippled sweatshirts and oversized shoulder-pads, thanks to Dusty Behner’s sense of color and history, and Lisa Ponce de Leon’s especially-80s hairstyles. A few of the bunch even manage to hold-their-own against the largeness that is the setting of Dividing the Estate, the newest show to hit Manoa Valley Theatre.

Mayumi Meets Mother Earth

Mayumi Oda, an artist often dubbed the “Matisse of Japan,” is a petite woman with boundless ambitions. In the book Merciful Sea: 45 Years of Serigraphs by Mayumi Oda, meetings with intensely raw and passionate artists, including Ginsberg, Rothko and De Kooning, triggered her to reflect, “I am small.

Editor’s Note

Everything’s coming up mangoes. And last week, we joined the crowd at Foster Botanical Garden to witness the first-ever Honolulu blossoming of Amorphophallus titanium, nicknamed the “Corpse Flower” for its malodorous, fly-catching bouquet.

he’s official

Through the years there have been many mayors who’ve aspired to be governor, but for the first time in Honolulu ’s history, a former governor is running for mayor. At Honolulu Hale on Friday, May 18, as he signed the nomination paperwork making him an official candidate for the 2012 race, Cayetano told the room that, back in January, he made his decision quickly.

Rail suit hangs on

Important back stories are huddled behind last week’s Star-Advertiser headline, “Federal Judge Narrows Lawsuit on Rail.” Foremost is that the lawsuit will go forward unimpeded. The same substantive points of contention including the most important historic and cultural sites are still at issue.

wed lockdown

In announcing his support of same-sex marriage two weeks ago, President Barack Obama reinvigorated a vexed debate. Locally, the wrangle has been deadlocked following the contentious legalization of civil unions and subsequent federal court challenge in January.

outsourced LEI

Thailand grows 75 percent of the flowers used in Hawaiian-made lei, but a flooding in the country last fall destroyed 80 percent of its orchid crops, according to Summer Campos, co-founder of the Hawaiian Lei Company. Together with the graduation season and the growing popularity of lei on the mainland, “All lei prices have inflated due to the orchid shortage,” Campos says.

Bus cuts

Lynne Matusow’s letter [“Goodbye Bus, Hello Rail?” May 16] hit the nail right smack dab on the head. The rail may have its attributes but it seems the more we delve into it the bad seem to outweigh the good.

Second “city”

We have a problem with traffic congestion on the major highways leading into the city; we have the controversy over the issue of rail; and we have the concern over preserving prime agricultural lands. It would seem to me that all these issues point to one thing in one way or another and that is the development of a second city in Kapolei.

Traffic mess

Though you didn’t discuss it in the most recent issue, there was a brief mention of how long it took for the Kinau off-ramp to be completed. Ambulances [had] ALWAYS been able to take the exit BEFORE Kinau, and turn left directly into the Emergency Room.

More politics

I enjoyed your issue on Mayoral Candidate Peter Carlisle. It would be great if you did a series on those running for the two congressional seats and the Senate race.

Ads not edit

On [April 26] the Weekly [ran] a story damning Hoopili as you have been for quite some time. Then you are running a full-page promotional ad this week?

Editors’ Reply:

It’s important to understand the difference between editorial content and ads. At the Weekly, they are two completely separate departments.

Corrections

We retract the letter “Questionable Ethics?” [May 9] and apologize to Herb Barboza for its inaccuracies. Mr.