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Paper treasures

On the hunt for Hawai‘i’s rarest books.

Locked in too-cold rooms, often water-stained, moldy and otherwise cloaked in homeliness, hide some of the most unusual specimens of literary beauty in the world. The last remnants of vanished worlds exist on the pages of rare books housed in collections throughout the Islands, and they are a means by which we remember what we’ve forgotten, see what’s no longer there and continue to search for what we have lost.

At Bishop Museum, there is a volume–from Captain James Cook’s voyage around the Pacific–filled with dozens of samples of kapa, or bark cloth, from the daily lives of Hawaiians who lived more than 200 years ago. In the Hawaii State Archives, there is a book from 1759 signed by the Earl of Sandwich, for whom British explorers called Hawaii “the Sandwich Islands.” The Mission Houses Museum has an elementary Hawaiian-English spelling leaflet from 1822, the first-ever item printed in Hawaii.

The historical importance of these publications is staggering, yet their value is somewhat subjective. In certain circles, among those who spend their days carefully turning disintegrating pages with gloved hands and generally immersing themselves in the printed past, “rare” can mean all kinds of things.

Hunter-gatherers

When people think of rare books, they think of ‘valuable,’” said Ken Gloss, an appraiser for Antiques Roadshow, former president of the Antiquarian Booksellers Association of America’s New England Chapter and owner of the Brattle Book Shop in Boston, which opened in 1825. “But ‘rare’ and ‘valuable’ are two different things. You can have books that are incredibly rare, impossible to find, and absolutely nobody wants them and they have no value. On the other hand, when people normally say ‘rare,’ they’re really thinking of valuable. It’s basically supply and demand. Maybe it’s the printer, the illustrator, the importance of the book, and for some reason, there is a group of people out there who want it and will pay for it.”

Gloss’ job is to find the people who are willing to pay for what he collects. His finds have been remarkable, like the first edition copy of The Great Gatsby that F. Scott Fitzgerald signed for his friend, T.S. Eliot, who then heavily annotated its pages. Another notable find happened years ago, when Gloss came across a small volume gathering dust in the cellar of an old shop.

“It was little, tiny book about Captain Cook done in the 1790s by a man on Cook’s voyages called Ledyard. You see it come up a lot at $3,000–$7,000. Most of the books did not come with the map. It’s a map of the Sandwich Islands, but really it’s the first printed map of the Hawaiian Islands. This little book had the map, which made it worth around $60,000. So I called up this collector in Hawaii who had been looking for it for 20 years. He immediately said, ‘I’ll take it, no problem.’ And I said, ‘Well, do you want to know how much it is first?’ And I told him and he said, ‘That is a lot, but I’ll still take it.’”

Unlike these private collectors and dealers, many public collections shy away from the most valuable books. Among them is the Hawaii State Archives, which keep their historical collections in a small building behind the banyan grove on the grounds of ‘Iolani Palace. The state’s archivists do not seek literary rarities based on their monetary value. In fact, with few exceptions, they don’t seek literary rarities at all.

“Number one, we don’t have a budget for that,” said Luella Kurkjian, branch chief of historical records at the Hawaii State Archives. “We have an acquisition budget of zero dollars. And we’re not truly collectors because most of what we have has been given to us. Anything we do acquire, it has to do with Hawaiian history. We don’t want the Gutenberg Bible, for example.”

But many of the items pertaining to Hawaiian history that the Hawaii State Archives keep are enormously valuable, like a red and gold Atlas that’s nearly two feet tall and contains 21 maps from Russian explorer Otto von Kotzebue’s 19th-century voyages of the Pacific, valued in 1990 at $65,000. It’s part of a collection that was originally to be stored at the University of Hawaii, but acquired by the state after conditions at UH were deemed imperfect for preservation at the time.

“The story that comes with that Russian atlas is that it was bound and created for a czarina, which is why it has the gold tooling and the beautiful lettering and all,” said Kurkjian. “There are only two maps of Hawaii in that book and what the Russians were really interested in was the harbor, and the depth of the harbor because they had to bring their ships in. But they also recorded some of the things on land: the taro fields, the salt ponds and the homes of the people.”

Rare books specialists at the University of Hawaii say the depictions represent the first printed portrayal of native Hawaiians that is accurate.

“This was really the first time anyone drew or represented the indigenous people the way they actually looked, rather than others who made them look like Greek Gods,” said Deborah Dunn, a book conservation technician in the Hamilton Library Preservation Department at the University of Hawaii at Manoa, which is launching a special collections initiative to improve public and scholarly access to the school’s rare books, including works dating from the 1600s.

“It’s beautiful,” said Dunn of the Atlas. “The artist did the best job. Just amazing.”

Kurkjian said the atlas may be her favorite rare book at the Archives, but estimates the most valuable–in monetary terms–is an account of Cook’s death by David Samwell from the 1780s.

“I can’t tell you exactly what it’s worth,” said Kurkjian. “It may well be worth more than $100,000. It’s kept in a safe. So we do have collections full of rare things, and the fact that they’re rare is a complication because it takes on a monetary value. So we have to consider preservation, security and conservation work for whatever might be acquired. Our initial interest is the content of the book as opposed to its monetary value.”

That’s true, too, at libraries throughout the state, which store a number of unusual books and documents pertaining to Hawaiian history, and emphasize the value of information-sharing over the appraised value of any particular book.

“Because our interest is in the information, we do things like re-bind, which a rare-book collector would never ever do,” said Martha Hoverson, the librarian responsible for Hawaii documents at the main branch of the Hawaii State Public Library.

Hoverson handles an abundance of historic Hawaiian documents, including early legislation and other government records. Such documents, pamphlets and even letters are usually included under the “rare books” umbrella by those who study, collect and keep them. At the Mission Houses Museum, for example, one of the museum library’s prized artifacts, marked “extremely rare,” is the first-ever printed Kingdom of Hawaii Constitution from 1839.

Appropriately, the Mission Houses Museum–which tells the story of the missionaries who brought the written word to Hawaii by way of a used, hand-cranked Ramage printing press in 1819–contains a trove of early-printed items.

“The printing press’ arrival in Hawaii represented the first time that the printed word had been introduced in the Hawaiian archipelago,” said historian Peter Salter, who served as the senior resident historian at the Mission Houses Museum for more than a decade. “Obviously these missionaries had the charge and agenda of conveying their ideology and theology. People say the oral tradition of the Hawaiian people was being compromised as a result, that you cede certain things to the written word. That’s true, physically, but intellectually, Hawaiian scholars and editors were able to pen material that was passed on to their people and became a legacy of the written word to their scholarship.”

Some of those written legacies are now preserved in the Rare Book Reading Room of the Library of Congress in Washington, D.C.

“The Library of Congress is the largest library in the world, so we have a vast and rather complex collection of materials,” said Clark Evans, head of reference services in the Rare Book Reading Room. “And we do have something called the Hawaiian Imprint Collection.”

The collection is comprised of 353 items, mostly early-printed government documents, religious texts, schoolbooks, pamphlets and other literary relics. Somewhat surprisingly, publications from Hawaii were gathered for inclusion in the reading room not after statehood, but when the reading room first opened in 1927.

“One of the early librarians thought it would be interesting, Hawaii then being a territory, to track down early Hawaiian imprints that were then in the general collections of the Library of Congress and move them over to the Rare Book Reading Room for future protection,” said Evans.

An elusive quarry

Many collectors, historians and preservationists–those at the Library of Congress included–prize the earliest items printed in Hawaii, that is, materials from the Missionary era. But the oldest printed references to the Islands, those that pertain to exploration of the Pacific, are in many ways most consistent with the intrigue of rare books in general.

After all, sustaining a passion for unusual and long-forgotten books requires the vim and determination of an explorer. There are garage sales to visit, used bookstores to peruse, library and museum sales not to miss, dealers to call, auctions to attend and estate sales to comb through. All of this for what’s likely an aesthetically modest collection of pages, all the while knowing that most searches are fruitless.

For those treasures that can be found, antique book enthusiasts often argue that picking a favorite is too hard. Dunn, the conservation technician from UH, calls a tortoiseshell bible at the Mission Houses Museum “mouthwatering.” Evans, from the Library of Congress, prizes the reading room’s copy of an unremarkable-looking elementary English grammar book that Abraham Lincoln assiduously studied so that he could write speeches like the Gettysburg Address despite having had less than a year of formal education in his life. Carol White, head librarian at the Mission Houses Museum, cherishes the museum’s copy of a missionary era journal kept by Levi Chamberlain, who fastidiously recorded the details of day-to-day life in 19th-century Hawaii.

And while literary explorers tend to hem and haw when asked to definitively name a favorite, those who are actively looking can always name their holy grail–the treasure that keeps them on the hunt. Even then, though, there is never just one item that would end the quest. For Gloss, the book dealer in Boston, a nondescript pamphlet printed in the Northeast in the 1820s tops his list.

“A book called Tamerlane,” said Gloss. “It was by a Bostonian in the 1820s, just this little pamphlet. Basically, it was a terrible poem, but the Bostonian who did it happened to be Edgar Allen Poe. There are only 20 known copies and these little tiny pamphlets tend to show up very, very rarely. It would be nice to go to some auction and find it at the bottom of the box. At auction, you could get maybe half a million dollars for it. There’s always hoping, you know, the dream. And there are so many of them, the next hope for the next collection. Be it Audobon’s birds, Curtis’ photos of the American Indians or Cook’s voyages, in all of them is almost the same feeling.” �



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This week

2013 Summer Books

On a breezy May evening, in the courtyard of the state library, local publishers, writers and book designers gathered to celebrate the 2013 Ka Palapala Pookela Awards, sponsored by the Hawaii Book Publishers Association. The place was packed, and I was struck by such a healthy showing for an industry whose demise has been predicted since before the advent of Amazon.

Unlikely Pairings

I was intrigued recently to channel surf upon a deft interview of Susanna Moore on PBS Hawaii. Moore is the nationally acclaimed author of nine books, perhaps best known for her luminous My Old Sweetheart and other Hawaii novels, as well as the rough-sex 2004 noir In the Cut.

A Long Lost Era

Kabuki Boy, a novel, reads almost like an autobiography filled with vivid details that transport us to 19th-century Japan during the “Tokugawa Era.” Fast-paced and humorous, it aptly dramatizes an ancient dramatic art. The hierarchy between the social classes of samurai, geisha, peasants and monks comes alive from the page, seen through the eyes of Myo, a young boy aspiring to become a kabuki actor.

Panek Point

Calling this big fat novel Hawaii was bound to raise eyebrows. Hey, come run to the schoolyard to watch Mark Panek throw down!

Inward Journey

Beautifully designed, with outstanding photography of India and Tibet by Linda Connor, the newest edition of Manoa is especially ambitious in its choice of subject/theme. It attempts to present diverse interpretations of the meanings and implications of the term “freedom,” doing so in the forms of fiction, essays, poetry, memoir and drama.

Gardens

This new book of poetry is easy to read, yet I had all kinds of strange dreams after reading it. The poems are short but poignant–a lot of thought and crafting went into every well-placed word.

Brotherly Tears

When the young narrator, Landon DeSilva, of Tyler Miranda’s novel Ewa Which Way, watches an episode of “Leave It To Beaver,” he sees a family whose idea of discipline is a father and son discussion without “head cracks” or “cuss words.” In the episode, Eddie Haskell and Wally Cleaver talk about the Beaver’s highjinks, and Landon’s friend says, “just like your brudda . .

Community

In a poetry class I teach at Windward Community College, a student recently did a presentation on coming-out poems and presented her own. One of her peers asked a thoughtful question: “If you are a gay, are you automatically part of the gay community?” It’s a question I’ve had about being Asian American–and a poet.

Cruelty

In Wing Tek Lum’s poem “The Red Circle,” a sergeant teaches his soldiers how to use a bayonet during Japan’s infamous occupation of Nanjing, China in 1937: “With a nub of red chalk / our sergeant marks off / a crude circle in the center / of the chest.” The men are instructed to stab everywhere, except the heart. A quick death would be too kind–too merciful.

Wit

“We are selves in a world because we have words,” writes the late poet Tony Quagliano in the preface of his book, Language Matters. In this masterful collection, every line absorbs the reader into the writer’s world, revealing his intimate thoughts on politics, writing, Hawaii and life.

The Romance of Sunset

A sort of team anthology, Sunset Inn: Tales from the North Shore is a collection of fiction, poetry and a play published by the Aloha Romance Writers, who admittedly chose–over margaritas and Mexican food–the conceit of a colonial-style seaside inn, described in Patrice Wilson’s poem “This Haven” as “white as salt” and “bleached coral in the sea,” as a central setting for their book. Like the landscape and the building, the collection holds stories of love found, lost and always remembered, some of which are based in Hawaii history and some from a contemporary eye, but all adhering to the familiar elements of the romance genre and the romantic.

Love Lore

In Huna Magic: The Hawaiian Odyssey, Dawn Star puts on a modern spin on Hawaiian mythology and folklore. Set in ancient Hawaii, the book starts off with the classic forbidden love story between a young woman, Kuulei ke Anuenue and a handsome man, Kai, who happens to be the chiefess’s love slave.

Reassembling

The reader weary of cutesy novels with multiple story lines that are obviously going to be inextricably tied together, somehow, might not want to venture too far into Darien Gee’s The Avalon Ladies Scrapbooking Society. But if it’s comfort food for the brain you’re after, you’d be missing out.

Green Noir

Set in Hawaii, Saving Paradise, Mike Bond’s sixth detective novel, tells a passable if unevenly written story featuring one Pono Hawkins, a Special Forces vet (Afghanistan), celebrated international surfer and correspondent for ocean magazines. He also insinuates himself into the woes of others, in this case a beautiful young thing whose lifeless body bumps into Hawkins as he goes surfing at dawn.

Decolonizing Our Future

Confucius said, “If your plan is for one year, plant rice; if your plan is for 10 years, plant trees; if your plan is for 100 years, educate children.” The philosopher’s sagacious message seems to align with the alternative approach to education seen in Hawaii’s charter school system. Noelani Goodyear-Kaopua’s The Seeds We Planted is an ethnography articulating the establishment, growth, and success of Halau Ku Mana, one of the few Hawaiian culture-based charter schools in Honolulu.

Navigating Selves

Leilani Holmes’s richly chronicled journey toward a reconnection with her Kanaka Maoli culture opens with the epigraph: “For those who came before us. In hopes that we act on behalf of your bones.” Ancestry of Experience is a thoroughly researched and deeply genealogical journey.

Think Pink

There’s something foreboding about the cover of Pink Globalization. It’s a dark, monochromatic picture of an enormous grey Hello Kitty gazing ominously into the night in front of a corporate-looking building. The picture is certainly intriguing and symbolic–Hello Kitty is taking over the world.

Hardships, Loneliness, Triumphs

A deeply researched and careful weaving of previously unheard voices can be found in Mai Lepera, adding another layer about leprosy patients exiled to settlements at Makanalua peninsula in the 19th century. Keri A.

Transcending Prejudice

If resiliency spoke of a group of people, the Japanese population of the then-Territory of Hawaii during World War II claims the description. With one specific attack on December 7, 1941, an island-wide prejudice against all immigrant Japanese was born, painting a picture of angry nationals who plotted Hawaii’s demise.

Mano

An ambitious, immensely rewarding product of nearly five decades’ research and teaching (beginning when the author was l3 years old), Patrick Vinton Kirch’s A Shark Going Inland is my Chief bids fair to be a definitive, almost exhaustive look at “the island civilization of ancient Hawaii.” Divided into three major parts, Shark starts with Cook’s arrival when Hawaii was four major kingdoms in the midst of creating stratified societies.Kirch deals with religion, evolving social structures and belief systems to make ancient Hawaii come alive. Especially noteworthy are beautiful descriptions of the making of canoes, particularly the vaka moana, capable of transporting families.

Charts for the Band

Music stores abound with compilations of “50 Favorite Songs” for everything from jazz to the Beatles to Bach. Now it’s time for the mid-20th century music of Hawaii.

Racism of Record

Compiled by Christopher LaVoie, Annexation! presents the imperialist agendas of the U.S.

Charting Our Ancestral Past

Hawaiki Rising by Sam Low tells the epic saga of voyaging on the Hokulea, which, as every Island schoolchild should know, is a traditionally constructed Hawaiian sailing vessel that is steered by observing natural elements, without instruments or maps. Low, a part-Hawaiian anthropologist who participated in three voyages, follows the Hokulea through conception, construction, and navigation.

From the Outside

The feeling of being an outsider in one’s beloved homeland is the theme underpinning Pamela Frierson’s fluid and honest nature writing. In her books, The Last Atoll: Exploring Hawaii’s Endangered Ecosystems and The Burning Island: Myth and History in Volcano Country, Hawaii, Frierson explores Hawaii’s unique ecosystems, while also searching for personal relevance where she grew up very aware of being merely a “second-generation colonist.” The shadows of a world unknown drive the writer, teacher and homesteader to attach to the landscape, pursuing a deeper understanding of Hawaii’s natural order, and, through those experiences, a sense of belonging.

Bearded beauties

Donald Hodel’s Loulu: The Hawaiian Palm is winner of this year’s Ka Palapala Award for Excellence in Natural Science. Loulu the Hawaiian Palm Donald R.

Missed Connections

Charlotte A. Tomaino, neuropsychologist and former nun, started with the intriguing concept of explaining how grace and spirituality can “awaken” the brain to a fuller potential through expanded consciousness.

The Naked Truth

Sharon Hicks’ How Do You Grab a Naked Lady recounts the relationship between Hicks, her mentally ill mother and idealist father. We meet Hicks at age 16 as she witnesses her mother parading around a mall in the buff, yelling and cursing–one of many manic episodes we’ll see during the book.

Last Train to Ho’opili?

One paradox of TheLast Train to Zona Verde, Paul Theroux’s 46th book and his latest about Africa, is that it’s also one of the best meditations on Hawaii you’ll ever read. But first, why Africa?

Every Reader for Himself

Confirming rumors, Barnes & Noble’s (B&N) Kahala Mall bookstore will close when its lease expires in January 2014. There are no current reports concerning B&N’s Ala Moana location, but it’s probably a matter of when, not if, management installs a T-shirt store.

Island Girl

Last weekend, Susanna Moore was in town to read from her new novel, The Life of Objects. A striking beauty–high cheekbones, fine features, long white hair with an inky streak that matches her brilliant black eyes–she wore a sleeveless blouse, full cotton skirt and rubber slippers.

A Traveling Light

We were out at Tongg’s surf break when the world’s best-traveled writer paddled past in a kayak. I said, “Paul Theroux?” Mindy nodded.

CIVIX

KAKAAKO MEETINGS The HCDA will host a series of meetings to discuss the Kakaako redevelopment plan and how rail will fit in with those plans. The meetings are open to the public.

Make Our Day

On May 13, Common Cause Hawaii assembled a panel, titled “The Good, the Bad and the Ugly,” to deconstruct lessons from the recently ended 2013 Legislative Session. Commentators included Rep.

Homeless Plan

Mayor Caldwell is winding down his public town-hall meetings campaign. The meetings are designed to update the public on the progress of the Mayor’s major first-year initiatives: repaving the roads, getting TheBus routes restored, making the city’s parks beautiful, fixing Honolulu’s sewer infrastructure, building rail better and, most recently, solving homelessness.

Pacific Pivot

During a 2011 speech to the Australian Parliament, President Obama declared: “The United States will play a larger and long term role in shaping [the Pacific] region and its future.” On May 10, the Center for Strategic and International Studies (CSIS) Pacific Forum hosted a panel discussion that sought to determine what a U.S. “pivot” toward the region would look like and what the reaction to increased U.S.

The homeless experience

I picked up your May 15 issue with great anticipation because on the cover was a photo of a person experiencing homelessness who I have had numerous interactions with (“Derelict Downtown,” May 15). He is someone I have always found to be articulate and friendly–an ideal person to talk to if one wishes to learn about experiencing homelessness.

Hawaiian rights

The puppetmasters controlling the creation of the Hawaiian Nation have manipulated Hawaiians who have signed up for any Hawaiian registry to become captive members of Kanaiolowalu, the Native Hawaiian Roll Commission. Those bills were heard this session and were passed by the Senate in the Tourism and Hawaiian Affairs Committee chaired by Brickwood Galuteria and the Judiciary and Labor Committe chaired by Clayton Hee, although the forced enrollment is unconstitutional.

Money over land

The Land Use Commission, the Honolulu Planning Commission, the Zoning Variance Commissions and all the other BS commissions are hijacked by big business (“Hoopili Miss,” May 15). Judge Rhonda Nishimura’s head is buried in the sand if she doesn’t recognize the votes were bought.

Cinema for all

I try to not miss a Redford film, and, of course, I can relate to events of the ’60s (“Last Round-Up,” May 8). It is disappointing that The Company You Keep is being shown only at Kahala Theatre.

Tea time

Aloha, I am Elyse. Please let me know if you have any questions, I would love to answer them (“Just Our Cup of Tea,” May 15).

Corrections

In last week’s “Derelict Downtown” (May 15), we mistakenly listed Kirk Caldwell’s campaign phone number. To contact the Mayor, please call 768-4141.